To what extent are non human alterities in contemporary Brazilian literature? How have some Brazilian writers dealt with the paradoxical relations between humanity and animality, as well as with ethno-ecological problems proper to our time? This article addresses the presence of non human beings in works by Nicanor Sena, Astrid Cabral, Olga Savary, Sérgio Medeiros and Josely Vianna Baptista, in the light of a transdisciplinary theoretical framework that includes thinkers such as Ailton Krenak, Eduardo Viveiros de Castro, Dominique Lestel and (...) Donna Haraway. The article also deals with the cultural and textual hybridity that cuts through the works of some authors of our literary repertoire. I thereby show how they present a liminal nature, with a strong transnational bent, as they are shot through by mythological and zoological elements, indigenous legends, diverse literary references, and different geographical and linguistic spaces. (shrink)

Em que medida as alteridades não humanas se inscrevem na literatura brasileira contemporânea? Como alguns escritores brasileiros têm lidado com as relações paradoxais entre humanidade e animalidade, bem como com os problemas ecológicos do nosso tempo? Este artigo aborda a presença dos seres não humanos em obras de Nicanor Sena, Astrid Cabral, Olga Savary, Sérgio Medeiros e Josely Vianna Baptista, à luz de um referencial teórico transdisciplinar, que inclui pensadores como Ailton Krenak, Eduardo Viveiros de Castro, Dominique Lestel e Donna (...) Haraway. Outro tópico desenvolvido é o hibridismo cultural e textual que atravessa os trabalhos de alguns dos autores incluídos no repertório literário, de forma a mostrar como eles apresentam um caráter fronteiriço, com um forte viés transnacional, por estarem atravessados por elementos zoológicos e mitológicos, lendas indígenas, referências literárias diversas e diferentes espaços linguístico-geográficos. (shrink)

This article focuses, through a transdisciplinary perspective, on Peter Greenaway’s films, operas, installations and artworks, exploring the elements that characterize this oeuvre as encyclopaedic. In order to do so, it investigates possible concepts of encyclopaedia, the rhizomatic character of the contemporary encyclopaedic model and its consonance with the demands of plurality and heterogeneity of the globalized world. This article approaches, moreover, the critical-creative appropriation that the director makes of the scientific systems of classification, showing that the use of taxonomies in (...) his work aims at not only revealing the insufficiency and arbitrariness of such systems, but also subverting the ordering logic that defines them. The article also links Greenaway to some of his literary precursors like Jorge Luis Borges and Georges Perec, who also brought together in their encyclopaedic works the rules of classification and the parodic laws of fiction. (shrink)

This article investigates the concepts of love and eroticism of the Mexican poet and critic Octavio Paz, in his book The Double Flame. The purpose is to show how the author, in his treatment of the intersections between love, eroticism and sexuality in Western cultural life during several centuries, by way of an interdisciplinary and analogical method, makes as well a poetic manifesto in defence of sensitivity against the process of the commercialization of desire in the contemporary world and proposes (...) an erotic re-education of society at this century's end through the rehabilitation of the idea of love. (shrink)